Sunday, May 24, 2020

The Invigorating Meadow Essay - 1230 Words

The Invigorating Meadow The burgeoning green of the meadow in May was gloriously lush, radiant really. I searched for enough descriptive words to distinguish the greens I saw—emerald and viridian; olive, pea and lime; verdigris and malachite. I became giddy surrounded by robust greenery. Indeed, it was a green felicity, and the trials and doldrums of winter disappeared with the exhilaration I felt watching emerging blades, vines, and shoots. As the meadow’s growth flourished, I kept track of the succession of plants. Golden coins of flowering dandelions carpeted the new grass for a week before fluffing into white globes of seed- carrying filaments. The grasses grew taller. Buttercups and blue flag iris colored the meadow with gold†¦show more content†¦I have a special fondness for Homer’s painting In the Mowing. In the foreground, three boys, two apparently nine or ten years old, and one just past the toddler stage, stand in the knee-deep grass and daisies of a large hay meadow. Halting in their wanderings, they look toward the distant tree-edged expanse in the background where a figure in red — mother, father, or sibling —waves to them. The light, at a low angle, burnishes the grass to brassy gold. It seems to me, the boys are abroad early, before sunrise and the start of chores, perhaps looking for nests, checking on the wild strawberry patches, or discovering the business of the in habitants of the fields. The waving figure may be calling them to breakfast. Homer portrays a simple moment of childhood freedom and exploration. The painting touches my spirit, for a hay meadow is one of the richest and best places to meet the natural world. On summer afternoons when the sun beats full on the meadow, I like to poke about the edges between the grass and the woods. Here, in a damp corner, I find tiny tight pink flower clusters atop plants with arrow-shaped leaves. I run my finger along the stems to feel stiff little prickles and confirm my guess that I have found the plant, called with overstatement, â€Å"tear thumb.†Show MoreRelatedThe Cry Of The Children1291 Words   |  6 Pagesto nourish it throughout the stanza juxtaposing the innocent natural life of young animals against the hellishly preposterous reality of England’s young laborers. â€Å"The young birds†¦the young fawns†¦the young flowers† are all playing exuberantly in meadows, nests, and shadows, while, in the sooty factories, â€Å"the young, young children. O my brothers, they are weeping bitterly!† (5-10) These lines, so expertly invoking a sense of pity in the reader, tell those abusing child laborers that they are not Read MoreCharacterization in Pam Houston’s â€Å"A Blizzard Under Blue Sky† 1631 Words   |  7 PagesCharacterization in Pam Houston’s â€Å"A Blizzard Under Blue Sky† Houston’s â€Å"A Blizzard Under Blue Sky† explores and exhibits the idea of psycho-physical experience of being in the natural world to heal one’s psychological and emotional ailments through its invigorating contact. The narrative, by drawing on the theme of depression, relates how the narrator, seeing â€Å"everything in [her] life†¦uncertain† (Houston 185), goes winter-camping alone in the high country; undergoes a chilling near-death experience; and gleefullyRead MoreHospitality Management Essay2585 Words   |  11 PagesResort can cater for weddings of up to 190 in the Capel Suite. The Kiltha Room is ideal for smaller and more intimate celebrations. It is a traditional wood-panelled room located in the Manor House overlooking the front meadow and swan lake. The Capel Suite is unlike any other ballroom in Ireland†¦. With its floor to ceiling windows, giant chandeliers, mood lighting and magnificent drapes, the Suite is a magical setting for your wedding celebration. Garryvoe Hotel Read MoreCompany Description Of American Sms Real Estate Essay2119 Words   |  9 Pages Our 3 year goal are increase our marketing communications events umbers of enquires by 13% at the end of the year 2017 and increase our sales by 20% at the end of the end year 2019. Second, we need to focus our marketing effort at reviving or invigorating our business service, thus new simple and powerful business brochures and Ads are needed. Third, we are also looked into the real estate industry, we have the goal to become one of the top real estate company in the China town area in Houston withinRead MoreJ.Co Donuts Coffee5440 Words   |  22 Pagesextremely precarious. Although Herr Bahro has not stated that he proposes to boycott the food and fiber produced by the agricultural revolution, he seems otherwise sincere in asserting that he considers it a mistake ever to have left the spiritually invigorating cultural climate of the extinct South African strandlooper, pelting t o death washed up, dying fish and what-not which the surf has cast upon the beach. Admittedly, Herr Bahros views are presently those of an extremely eccentric, although organizedRead MoreEssay : Chapter 18467 Words   |  34 Pagespanted. â€Å"He isn’t here.† His eyes widened as he took in her tattered state. Charlotte’s heart sank to her feet. He wasn’t here. They were doomed. â€Æ' Chapter 18 July 13th 1823 Dear Roark, I spent the week in London at a brewer’s symposium. It was invigorating to say the least. We are returning to Faversham this morning, but I wanted to send this before I forget. You will receive a package following this letter, and you will find the contents intriguing. We must implement these new ideas immediately

Wednesday, May 13, 2020

Sexual Orientation And Gender Identity - 2164 Words

As mainstream media is now embracing the once taboo topics of sexual orientation and gender identity as popular culture utilities, psychologists and medical professionals are still researching the biological, psychological, and social differences between the two. Since the phenomena of  ¨coming out, or openly identifying as a sexual orientation or gender identity besides heterosexual or cisgender respectively, is a relatively recent anomaly, there is limited but contemporary research. The analyses done so far indicate a universal and clear consensus signaling the separation and unrelated nature of sexual orientation and gender identity. The American Psychological Association on their webpage defines sexual orientation as â€Å"...the sex of those to whom one is sexually and romantically attracted...research has suggested that sexual orientation does not always appear in such definable categories and instead occurs on a continuum. In addition, some research indicates that sexual or ientation is fluid for some people.† While in contrast, gender identity is defined as â€Å"one’s sense of oneself as male, female, or transgender.† Milton Diamond attempted to separate the aspects of one’s personality in his 2002 research paper entitled Sex and Gender are Different: Sexual Identity and Gender Identity are Different. Diamond asserts that in order to understand the distinction between gender and sexual identity, one must understand the distinction between gender and sex, two words commonlyShow MoreRelatedSexual Orientation And Gender Identity863 Words   |  4 PagesRecent studies estimate that between one and nine million children in the United States have at least one parent who is either lesbian, gay, or transgender. However, many people feel uncomfortable about being open due to their sexual orientation and gender identity due to fears of discrimination; such fears include, but are not limited to, loss of employment, loss of child cust ody, anti-gay violence and hate crimes. Although many people may have distinctive opinions on certain outcomes or effectsRead MoreGender Identity And Sexual Orientation3311 Words   |  14 Pagessexualities and gender identities are quickly becoming more accepted in mainstream society. Despite this change, there are many people who believe that having a different sexual orientation or gender identity is a choice that is frowned upon. In order to refute this belief, research and biology of the brain is necessary. Researching the brain on the basis of sexuality is a fairly new topic of discussion because it is somewhat difficult and confusing. This paper will explore the different identities of genderRead MoreSexual Orientation And Gender Identity1496 Words   |  6 Pagesheteronormativity everywhere they turn. It is true that civil rights for LGBT people have progressed enormously. As of January 2, 2015, 35 states have legalized same-sex marriage, 18 states have workplace discrimin ation laws that cover both sexual orientation and gender identity, and the majority of public schools must have bullying policies that protect LGBT students. Despite how far we have come, there is still a lot of work to do in the area of acceptance. The only way homophobia will be diminished on aRead MoreSexual Orientation And Gender Identity Essay1878 Words   |  8 Pagesthey have become more open about their community and have gained rights that they should have always had. Even though the community has made progress they still have a long way way to go especially within the workplace. The topic of sexual orientation and gender identity discrimination in the workplace is something I am very passionate about. When I was nine years old my father came out to me and every sense then gay rights has been something I am extremely passionate about. My father has worked forRead More Gender Identity and Sexual Orientation Essay example3593 Words   |  15 Pagesand gender identities are quickly becoming more accepted in mainstream society. Despite this change, there are many people who believe that having a different sexual orientation or gender identity is a choice that is frowned upon. In order to refute this belief, research and biology of the brain is necessary. Researching the brain on the basis of sexuality is a fairly new topic of discussion because it is somewhat difficult and confusing. This paper will explore the different identities of genderRead More Sexual Orientation, Gender Identity and The Social Pressures of Adolescents1983 Words   |  8 PagesAlthou gh we live in modern times, stigmas regarding gender identity cease to exist. These biases are prevalent within various cultures. Male and female adolescents are stifled from expressing themselves based on how they personally relate to their own femininity or masculinity and sex roles. The cause of this constriction of emotions is due in large part to these young people being coerced into obeying the rules of society. In addition, societal constructions seem to totally disregard theRead MoreThe Prevention Of Violence And Discrimination Based On Sexual Orientation And Gender Identity1713 Words   |  7 Pagesviolence and discrimination based on sexual orientation and gender identity Student Officer: Sarah Lim Position: Chair of the Social, Humanitarian and Cultural Committee ________________________________________ Introduction: Gender identity and sexual orientation is one of the more stigmatized and marginalized aspects of self-expression for any human in our society today. A state or country with a more liberal take on the expression of gender identity and sexual orientation tends to be more prosperous, inRead MoreGay Marriage And Its Slow Progression Of Acceptance1441 Words   |  6 Pagesprominent theme in society as more time passes. According to the American Psychological Association, sexual orientation refers to the sex or sexual interest to whom one is sexually and romantically attracted to. Heterosexuality, homosexuality and bisexuality are the three mostly familiar categories of sexual orientation for a typical person, and these sexualities make up for 98.9% of the sexual orientation among American adults (Ward 1, et al). But what about the other 1.1% of sexualities? While theseRead MoreThe Importance Of Human Sexuality In The United States876 Words   |  4 Pagesthe first 10 articles on the pa ge and found that the seventh result was what I was looking for. I chose this particular article because it was a 10-yearlong study dedicated to sexual identity in the United States. This is a national longitudinal study examining the stability and change of sexual orientation identity over time data was drawn from the National Survey of Midlife Development in the United States through a survey. The survey was conducted twice either by mail or phone what theyRead MoreGay, Straight, And The Reason About Sexual Orientation1236 Words   |  5 Pageshuman sexual orientation. More same-sex couples have fostered children than ever before in our nation s history. Institutions such as military and professional sports have (slowly but surely) began to accept openly gay members. Most importantly, a recent amendment to the Marriage Act of 1961 now defines marriage as a union of two people; an amendment which removed the prohibition of same-sex marriages. These landmarks in the progression of social awareness surrounding sexual orientation are derivative

Wednesday, May 6, 2020

Reviewing Martin Scorsese Free Essays

More than just a filmmaker, Martin Scorsese is the self-appointed guardian of American cinema history. For him, the cinema of the present is always and necessarily influenced by the past. Scorsese commands immense critical respect; whether juggling big budgets and mainstream connections with large studios, delivering star vehicles and box-office successes, or indulging in more personal projects, Scorsese has retained his reputation as â€Å"the quintessential maverick auteur† (Andrew 21). We will write a custom essay sample on Reviewing Martin Scorsese or any similar topic only for you Order Now An independently minded cinephile, his relationship to popular cinema has been an extremely productive one. While best known for the savage but complex exploration of masculinity and violence in films such as the New York-based Taxi Driver (1976), the scorching biographical boxing picture Raging Bull (1980), the epic gangster narrative Goodfellas (1990), or the controversial The Last Temptation of Christ (1988), Scorsese’s output has been extremely varied. This paper reviews three of his films: Taxi Driver, The Last Temptation of Christ, and Gangs of New York (2002). Religion is a consistent theme in Scorsese’s films: almost all of his major male characters voice a fascination with religion in some form. Mean Streets’ (1973) Charlie is obsessed with the idea of his own spiritual purpose. The archetypal selective devotee, his desire to do penance is at odds with his actions: â€Å"he acts like he’s doing it for the others, but it’s a matter of his own pride† (Scorsese 48). Taxi Driver’s Travis Bickle believes himself to be acting out God’s rage against the lowlife of New York city; Cape Fear’s (1991) Max Cady is likewise fixated; while Raging Bull’s Jake LaMotta punishes his body both in training and in the boxing ring in an attempt to atone for his sins. These earlier films seem to be leading towards Last Temptation of Christ’s explicit wrestling with Christianity. Attracting intense reactions from some religious groups, the film, based on Nikos Kazantzakis’ novel, presents a non-biblical Jesus beset by doubts and fears about his identity and mission, constantly, oppressively tempted by evil. A human being much more than the incarnate Word of God, this Jesus is strongly tempted also sexually, and only by a superhuman effort of the will is he able to achieve a final victory. Scorsese argued that it was his intention to show Christ as a real man rather than as a faultless spiritual being. Thus, Christ’s (Willem Dafoe) inner emotional struggle and the consistently female image of sin converge, if one is to accept Scorsese’s interviews, in making the film as much a working through of his own identity as the story of Christ: â€Å"Jesus has to put up with everything we go through, all the doubts and fears and anger†¦he has to deal with all this double, triple guilt on the cross. That’s the way I directed it, and that’s what I wanted, because my own religious feelings are the same.† (Corliss 36) It is clear that the major objection of the protesters to this film had to do with its long final sequence, in which Jesus comes down from the cross and walks into an earthly paradise, where he marries first Mary Magdalene and then, as a widower, Mary, the sister of Lazarus. By her and her sister Martha, he has a number of children. The problem is that people who had not seen the film, or who had seen it but not very perceptibly, had no idea that these events happen in a fantasy sequence, a daydream-like temptation to the domestic life carefully formulated by Satan to discourage the crucified Jesus from living fully his mission of salvation. Moreover, it is a temptation sequence represented by Scorsese as a fantasy, something evident in the film language of the sequence, and as a temptation-fantasy that Scorsese has Jesus overcome: he returns to the cross and dies victorious. The Last Temptation of Christ can be interpreted in two distinct ways; either it posits Christ as a human being, or it raises Scorsese’s vision of masculine identity to an omnipotent spiritual level. Notions of masculinity, a sense of community and the influence of religion on personal identity are all themes common to Scorsese films. In fact, the film suggests an attempt to universalize masculine experience by having these themes transported from the usual urban, late twentieth-century setting to biblical times. Objections to the film’s depiction of Jesus as sexual perhaps served to divert attention away from another more uncomfortable theme; that masculine identity is defined in terms of existential conflict and growing self-awareness, while women remain confined to earth, sexuality and Original Sin. Though Scorsese cannot be simply cast as a misogynist, his personal perspective and belief systems are unashamedly patriarchal, grounded in Catholicism. Women feature mainly on a symbolic level, serving as projections of male spiritual conflicts (even, it might be argued, in The Age of Innocence). Whether novel, romance, myth, epic, or film, narratives have relied on the presence of the â€Å"hero† as a sign of the human’s search of an ideal. Scorsese’s Taxi Driver portrays a character, Travis Bickle, who is alternately an inversion, a corruption, and a variation of the idea of the hero. The film constructs a â€Å"literary city†, an archetypical topos in a story of the mass and the individual, where the â€Å"mass† creates â€Å"a peculiar kind of anti-community within the dissociated culture† (Pike 100). A chain of ironies defines Bickle placed into this setting and defines a new universal truth: anonymity and isolation amid a dense population, an instantaneous repugnance with and attraction for the magnified extravagance and corruption of the city, an estrangement from others which grows with increasing closeness, and an anti-social behavior and a pathological psychology absurdly born of the quest for ideals. In Taxi Driver, Bickle sees metropolitan social order as a material hell in a period of a dying God (or already dead God). He places himself in an adversarial connection with the world in general, and he pursues the ideals of self-realization and spiritual reconciliation in ironically repulsive actions. In addition, Bickle maintains a wicked sense for the sacred, and this distorted piety or holiness is manifest in his discourse suggestive of the confession genre, in his wrath for an immoral society, and in his sympathy for the oppressed and browbeaten (archetypically rendered in the form of a prostitute). Bickle recognizes his status as God’s lonely man. He writes in his confessional mode: â€Å"Loneliness has followed me all my life. The life of loneliness pursues me wherever I go: in bars, cars, coffee shops, theaters, stores, sidewalks. There is no escape. I am God’s lonely man.† The opening montage of Scorsese’s Taxi Driver launches a series of optical themes, and the images of eyes, mirrors, and glass symbolize Bickle’s perception of this spiritually bankrupt and spiritually bereft environment. The director manages his editing and camera angles to highlight the protagonist seeing the world through mirrors or glass, particularly the rear-view mirror and the windshield of the taxi, through which all important characters enter: Sport and Iris in a brief glance in his mirror; Palantine in his rear-view mirror; and Betsy through the sheets of an all-glass office. In general, the film mirrors French Existentialist the influence, and the setting, lighting, and mise-en-scene – especially in the darkness of the film – owe a debt to film noir, contributing to the understanding of the struggle of the protagonist. Overall, Bickle represents something more than alienation and social disenfranchisement, since God’s lonely man suffers in metaphysical misery because of the materialization of a world where the True, the Good, and the Beautiful have lost their meaning. In effect, Bickle is a prophet attacking Babylon, but without any assurance of liberation; he is also Theseus in the maze of the city but with no Olympus and no Ariadne. In this state of spiritual bleakness and spiritual poverty, Bickle retains an intuitive longing for the ideal â€Å"but no longer possesses the capacity for identifying, exemplifying or realizing it† (Swensen 267). While isolation and crises of identity are key themes that permeate many of Scorsese’s films, they necessarily include explorations of community, or brotherhood against which the isolation, or level of identification for an individual can be measured. This is one of the major themes of one his most recent films, Gangs of New York. Obviously, the director’s explorations of community and brotherhood stem partly from his commentary on his personal experiences, his sense of his home community and of the people he has known. In most cases this sense of docu-realism extends only so far as setting. This film is concerned not only with political, social, and economic conflicts, but also spiritual conflict. In one of his interviews about Gangs of New York, Scorsese states: [During the Civil War] the North and South were fighting for causes. The nativists [whose slogan was â€Å"America for Americans†] and the Irish were fighting for the right to live and the right to live together, but they were dying for it, too. If people believe in something strongly enough they’re going to die for it, and that’s a major problem in the world today. In the film – as in today’s world – religion is used in a militant way. (Scorsese 1) This film is also a characteristic of violence in many of Scorsese’s films: â€Å"The 20th century was arguably the most violent in human history, but the most violent century in American history was the 19th. Poor people, political parties, and gangs would demonstrate, and there was violence constantly.† (Scorsese 2) Alongside the romance of the gangster and of male ritual that is so much in evidence in this film, Amsterdam Vallon and Bill â€Å"the Butcher† Cutting can both be understood in terms of a journey towards salvation through self-knowledge. The themes in Taxi Driver, The Last Temptations of Christ, and Gangs of New York are dominated by the search for self-awareness: â€Å"the individual is trapped in solitude morale and can escape from it†¦if he or she comes to see their condition and then extend themselves to others and then to God† (Hess 20). Scorsese’s preoccupations are evident in his work and in his many interviews. Shortly after the opening of his film The Last Temptation of Christ, Scorsese, commented, â€Å"I made it as a prayer, an act of worship. I wanted to be a priest. My whole life has been movies and religion. That’s it. Nothing else.† (Kelly 6) Works Cited Andrew, Geoff, Stranger than Paradise: Maverick Film-makers in Recent American Cinema. London: Prion, 1998. Corliss, Richard, â€Å"Body†¦and Blood†, Film Comment 24.5 (1988): 36-42. Hess, John, â€Å"La Politique des auteurs: Part I World View as Aesthetic†. Jump Cut, 1 May/June (1974): 20-22. Kelly, Mary Pat, Martin Scorsese: A   Journey. New York: Thunder’s Mouth, 1991. Scorsese, Martin, Scorsese on Scorsese, David Thompson and Ian Christie (Eds.). London: Faber and Faber, 1996. Scorsese, Martin, Gangs of New York – Martin Scorsese – Interview. (December 2002). Retrieved December 5, 2007 from http://findarticles.com/?noadc=1 Swensen, Andrew J.   â€Å"The Anguish of God’s Lonely Men: Dostoevsky’s Underground Man and Scorsese’s Travis Bickle†. Renascence: Essays on Values in Literature 53.4 (2001): 267. How to cite Reviewing Martin Scorsese, Essay examples

Monday, May 4, 2020

All Of Their Albums by Hollywood Undead and Deuce free essay sample

Music. Its important to EVERYONE, it doesnt matter who you are music is a part of your life. Either its for you to work out to or it really defines your life and helps you through tough times. So why do people decide to hate on the music- or rather the artists- that really shape us, and make us who we are? My biggest music infliuence is Hollywood Undead . Their music really helps me when Im feeling down and all that. Im a huge fan of them so when I heard all the sh that was happening between Deuce and the rest of Hollywood Undead all my friends ganged up on me and were like: Whos side are you on? Me Im sitting here like: What do you mean?. Well they jumped down my throat saying that I had to choose a side. Of course me being me I wasnt on either side. We will write a custom essay sample on All Of Their Albums by Hollywood Undead and Deuce or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Then Danny became the permanant replacement for Deuce. Instantly EVERYONE went to YouTube and started having comment wars about who was better. A lot of people are hating on Deuce because of what he wrote and put on his album 9Lives. Personally this is where I stand on this topic: BOTH DANNY AND DEUCE ARE EQUALLY GREAT ARTISTS! Why do we have to hate on Danny or Deuce? Why cant people just repsect Danny and Deuce as the music artists they are? Honestly Hollywood Undead couldve said Were done making music when they kicked Deuce out of the band, but they didnt. They just put Danny in Deuces place and contiued to put out amazing music. So why hate on them people